Literature is more than just storytelling. If you read very carefully, you’ll start to see recurring patterns and symbols of characters and situations. These patterns are called archetypes and they bring an aspect of realism to literature that help the readers feel connected to the story they are reading.
For those of you that don’t recall, I read The Book of Negroes and at this point in the novel, Aminata has been sold to another master, Solomon Lindo (Hill 188). In terms of archetypal characters, Dolly, her owner’s only other slave, is the mother figure at this point in the story since Aminata no longer has her mom in her life, and she was taken away from Georgia, who was her mother figure at Appleby’s plantation. Dolly is the character who takes care of Aminata and helps her maintain her mental strength. For example, when Aminata finds herself crying one night, Dolly wakes up and puts her arm around her, saying, “What’s the matter, honey chile? One day your man come back and you start all over again” (211). Aminata also says at one point, “She fussed over me like a mother, cooking my meals and cleaning my clothes, and whenever I had given her some of the things that came from my work as a self-hire midwife – a miniature box made out of cherry wood, a small bottle of West Indian rum – her face had lit up like that of a child” (243). Aminata seems to admire and adore this woman. She appreciates all of her help and really looks up to her like a mother. And just like any other mother figure, Dolly is selfless and compassionate toward Aminata. For example, she never complains that Lindo favours her over Dolly and she always asks Aminata how she can help her, even if she usually can’t do much to help but talk.
Another very obvious archetypal character is Aminata’s. As the heroine, she is kindhearted, honest, humble, and has a passion for justice. I remember that at one point in the novel, she says, “When it comes to understanding others, we rarely tax our imaginations” (425). This shows her perspective on the world and her undying compassion and empathy for others. She also says to a white man, “If I spent my time hating, my emotions would have been spent long ago, and I would be nothing more than an empty cowrie shell” (418). She has such a pure and loving heart that she is able to look at the people who stripped her way from her family and friends without feeling hatred. This is what defines a character as being the hero. She is able to put her feelings aside and still act in a respectable manner.
And just like any heroine, she is constantly trying to fight the evil that surrounds her. She runs away from Lindo (255) to free herself from slavery and then she registers her name, along with many other negroes, in the “Book of Negroes,” a document allowing blacks to be freed and taken on ships to Nova Scotia (302). She didn’t have to do this, but she chose to be part of something that would change the lives of so many Africans, since she was literate and could.
I believe that Aminata’s character is supposed to represent the morals and values that society strives to have. As the heroine, she shows us that we should be strong and humble, even in the face of adversity. Like most heroes that you may know, she has suffered an extreme amount of loss and pain fighting for what she truly wanted. Her constant battle for freedom represents how all of us, when we are truly dedicated to something, will do anything we can to achieve what it is that we want to achieve.
Aminata reminds me of Aibileen from The Help. This character finds strength to move on, even after she loses her son. She teaches the children she raises that the colour of skin does not matter, but instead that love and kindness do. This is so much like Aminata because she too has lost a son (226), and is slowly regaining motivation to continue life with hope that one day she will get her freedom back. When Aminata arrives in New York (241), she reflects upon how odd it is that the whites go through so much trouble to take the blacks from their homes to simply work for them. She seems perplexed by the fact that they don’t just do their own work and that all of this slavery is just because of the colour of their skin. By the end of the book, both characters gain a new type of strength and somewhat defeat the cruelty around them. Interestingly, they both write books to do so. But the main thing that I noticed was that both of their story lines have the same situational archetype: the quest.
The quest is a very common situation where the protagonist searches for something. In both The Help and The Book of Negroes, the main characters are searching for freedom. They wish to be treated as equals among the whites and they struggle to somehow be looked at with more respect.
In The Book of Negroes, everything Aminata does revolves around trying to find her way back home. And just like in many other stories, Aminata matures into a wise adult through the problems that arise along the way.
When Aminata is first captured by the slave traders (29), she tries to struggle free, despite being unsuccessful. When she is taken to America (106) and is forced to live among her owners, she does not once attempt to flee or fight seeing what happens to others as they do so. She chooses to watch, rather than to escape since she had seen that all of the others who struggled to fight free got killed. When she arrived at Lindo’s home, she said “I had learned that there were times when fighting was impossible, when the best thing to do was to wait and to learn” (379). Aminata’s journey taught her patience, which made her a wiser woman since every time she chose to wait, she was able to gain knowledge from her experiences. This typical archetypal situation is added to this novel to show how our life experiences will always teach us to be wiser, no matter how much pain they may cause us to endure along the way.
–Aminata Patiently Living Among the Whites in the 2015 Series (Photos by African Photo Productions)
I think this is when I should mention that Aminata has two crescent moons indented on her face. These moons are forever a part of Aminata and they represent where she comes from. When Sam Fraunces meets Aminata, he says, “From the moons on your face, I suspect that your journey began long before Charles Town” (247). It never says what the moons actually represent for Aminata. All that is known is that everyone from her village had these moons on their faces and that they were symbolic for her people. When I looked up what moons are supposed to symbolize, I discovered that it’s actually a feminine symbol (Michalak). It also is supposed to represent the rhythm of time since the moon is an entity that is constantly changing. The new moon symbolizes infancy, the crescent is youth, and the full moon represents maturity. Since Aminata has crescent moons, this marking on her face could be symbolic of how precious childhood is. It could symbolize how strong she is as a woman and how she has time on her side. This could have religious meanings too… but, for now, I’m going to say that these moons probably were chosen by Hill to represent her incredible power. Just like the moon is always there, no matter if it’s night or day, Aminata’s undying strength will always be there deep within her.
I also think that these moons could reflect Aminata’s inner knowledge since the moon controls the seasons, the rains and the waters (“What Does the Moon Symbolize”). Either way though, this symbol on her face seems to represent her strength and femininity, all while highlighting her childhood innocence and present wisdom. It’s quite a marveling and perfect symbol to put on a heroine’s face, if you ask me!

























